Who ever said French women or les Parisiennes were the best dressed :)? I can’t quite remember, but after scrolling through the street style photos from New York Fashion Week Fall/Winter 2025 (held this past February), I came across a series of looks that felt effortlessly chic, polished, inspired, and perfectly in step with the season ahead.
Here in Amsterdam, early August has brought a taste of autumn: grey skies, steady rain, and temperatures hovering just below 20°C/68°F… though summer is expected to make a brief return this weekend. That concludes our little weather update ;).
So I thought: why not share a few of my favorite street style looks spotted in New York, along with my usual fashion notes (which I hope you’ll love) and a selection of pieces I’d recommend for la rentrée? If you’re in search of a little autumn inspiration, this edit is for you. And for those who’ve been asking for more seasonal style content, I hope this brings a touch of delight. Let’s head to New York, if only in spirit.
Select links in this article are shared with compensation from AYR. It is not a sponsored article; the writing and choices remain entirely my own, guided only by independence, curiosity, and discernment. Some links are also affiliate, which means I may earn a small commission if you choose to purchase, always at no cost to you.
So, what’s on the menu today? I took a closer look at the most compelling silhouettes captured on the streets of New York and distilled a few standout trends—some subtle, others more pronounced—that, in my view, may well shape the rentrée of 2025. For each, you’ll find, as always, my personal recommendations: pieces to slip into (or rediscover within) your wardrobe, should you feel inclined to approach the season with a fresh eye.

On the agenda: the return of fine turtlenecks layered beneath blazers, sky-blue poplin shirts (like The Tate from AYR or this version from Massimo Dutti), and crisp white T-shirts worn under tailored jackets. Long coats remain essential, from cape styles inspired by Chloé (I spotted a beautiful wool-blend version in camel) to soft monochrome ensembles in off-white (this ivory one by Loulou de Saison is especially chic), and timeless wool overcoats in navy, camel or black, some softly rounded at the shoulders, others sharply structured (like this iconic silhouette from Totême).




Shorter coats are also having a moment: gently flared, cropped at the hip, and rendered in soft, luminous tones like ivory, cream, beige, or camel (I’ve had my eye on this lovely version). And let’s not forget shearling coats, long or cropped, still one of my favorite outerwear pieces for dry, brisk days (I’ve kept the Totême shearling on my wishlist since last year).



As for blazers, the silhouette this season falls just right, neither too fitted nor too oversized, in rich solids like burgundy or deep navy, or in plaids and soft grey pinstripes. A cinched waist, often with a belt, brings definition and quiet sophistication. Prints are also appearing on trousers: plaids, fine stripes, and tailoring with subtle character. Denim silhouettes are evolving: wide-leg, flared (I’m fond of AYR’s Secret Sauce), and even barrel-leg styles, like The Getup, which recall the Céline runways of recent seasons.



On the feet, the mood remains restrained and elegant: nude ballet flats (my Mary Jane pair has quickly become a go-to), black suede ankle boots with a modest heel (I love this pair from Stuart Weitzman and for something more walkable, perhaps the lower-heeled ones by Staud), and loafers worn with white socks (I have a pair of Tod’s I return to every season) that slightly preppy detail never fails to charm me. Bags are minimalist in spirit, yet generous in size, very much in the vein of The Row (I’m currently carrying this oversized Linea bag by Cuyana with me everywhere).


Stepping back, the overall palette is rich and understated: burgundy, charcoal, forest green, chocolate brown, deep navy… occasionally punctuated by a quiet flash of colour. And for those who love to carry autumn into the evening, I spotted a few striking gowns: long, fluid silhouettes in crimson or black satin, worn beneath sweeping wool coats with sculptural shoulders, or soft, enveloping cape coats that move with the wearer.





